Tuesday, February 7, 2017

Shaky The Cameraman

About 20 years ago, Hollywood became enamored with the idea that the camera used in a movie or TV show no longer had to be held steady. They believed it created a more realistic feel to the film, adding tension as a result.

It started out with one or two TV cop shows and gradually spread out to sitcoms like Arrested Development and then eventually to the big screen. My wife and I hated it. Since that time, thankfully, the effect has become less and less used, but every once in awhile we'll watch an old movie and re-discover just how bad that effect was.

Case in point: The Bourne Supremacy. Yesterday, we re-watched it for the first time in about 10 years. The camera never stopped shaking, panning and zooming. And to make it worse, nearly everything was filmed as a close-up. Even worse? Nearly every sequence was a chase or a fight scene.

I don't want to get anyone seasick, but if you want to see Shaky the Cameraman in all his glory, that is the one movie you simply must see. I just caution you to take breaks every 20 minutes or so. It's like a never ending home movie before cameras had image stabilizers.

The plot? I don't know, I was too dizzy to pay attention to the story.

2 comments:

  1. Shaky made a lot of money for a while. Never really understood the "realism" in it. It's not like my head constantly bobs back and forth and side to side when I stand next to two other people and listen to them while they talk. Well, maybe that's how Shaky sees things...

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  2. The technique is still used, but it's refined and used at the right time. Marvel movies have developed a whole new way to show action, a kind of high definition strobe effect, and I'm hoping that technique puts shaky into virtual retirement.

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